Friday, June 9, 2023

Rome (at last!)


The dome of Saint Peter's and the Ponte Vittorio Emanuele II.

       This is part—the last part!— of our on-going blog about Jordan and Italy.  Find the previous blog about Sorrento here. The complete series starts here, with Jordan.

Ah, the Eternal City! (And it does seem to have taken an eternity for the blog to have gotten this far!) While this was a first-time trip for Sue and Alan, Paula and I had been to Rome a few years back, and were eager to return.


Piazza Navona and Bernini's La Fontana del Moro (Fountain of the Moor)

Again, the list of things to see and do was long, our time was short. And, it rained. And, it was crowded. (Paula speculated that the crowds were due, in part, to this being the week after Easter. Or it was spring break. Or, people just want to travel!)

View toward the forum from the Coliseum

Outside of the Coliseum. Imagine this covered in white marble...

            Coliseum and the Roman Forum—These days when traveling everything must be carefully planned, as tickets with scheduled visiting times must be bought in advance. The Coliseum and the Forum are included on the same ticket; we started with the Coliseum, and then found we had little time and no energy left for the Forum. (Too bad! On our previous trip I much preferred the Forum, dripping as it is in history rather than blood.)

Inside the Coliseum, where the action took place. Note the floor has been partially rebuilt.

            Vatican Museum—Again, we’d been there, Sue and Alan had not. If Paula and I had been traveling alone, we might have skipped a second visit. Oh, it’s filled with wonderful art works: incredible sculptures and grand paintings from unrivaled masters. Fine as a museum, but the thought that this was a personal residence of the all-powerful pope leaves me a bit grossed out. Can’t say I didn’t enjoy it, though…


Imagine if this were your office... or your home!


Laocoön and His Sons:  Laocoön, a Trojan priest, warned against bringing the Greek’s wooden horse into the city;
Athena & Poseidon, favoring the Greeks, sent two sea-serpents to kill him and his sons.

The tortured face of Laocoön. "Snakes! Why did it have to be snakes??"
This statue was discovered on the papal grounds, so the sculptor is unknown. It dates from around 0 CE.

"Nero's Bathtub," a giant basin carved from Egyptian Porphyry, an exceptionally rare purple marble found in only one place on earth.
Difficult to make, nearly impossible to transport.
Conspicuous consumption at its peak!

We were anxious to get to the end and to the apex experience: the incomparable Sistine Chapel with its famous ceiling. It had been a long day, we were tired. But something new has been added to the tour: a section of contemporary art. While I am pleased that modern artists are getting this level of exposure, the path to the chapel seemed interminable. We passed from chamber to chamber of art that didn’t interest me, up down and around hoping each turn would bring us to the Sistine. Well, it did, eventually, but it sure was a long time coming!

We found a place to sit along the walls, listening to Rick Steves’ commentary (and the frequent booming announcement: “No photos! No videos!”). We felt wrung out. Finally, gratefully, we made our way out and down the road to home.

Then, on the way out the door, we passed this pops concert. No idea who or why,
but, since we'd be leaving in a few days, we felt it very appropriate that they played "Arriderci Roma!" 



“Coming all the way to England and not seeing a soccer match is like 

going to Rome and not going to church…”

----- Ted Lasso

OK, not in England and no soccer matches; but we certainly did go to some churches!

St. Peter's Square from the dome.

Saint Peter’s Cathedral—On our last visit to Rome we never got inside St. Pete’s: the lines were just too long. This time Sue got tickets for the tour of the dome, which required us to get there extra early. Worth it, totally worth it! Ah, not the dome tour, so much, but getting there early (7AM) meant the line was not unreasonably long. The tour of the dome came with some interesting commentary, and a lot of climbing. I don’t need to do that again… but I’m ready to revisit the cathedral! 

St. Peter's Square from the ground, as we wait in line at 7AM.


Another view of the Square from behind the railing.


Inside St. Pete's. Sue looks tiny and lost!

Bernini's magnificent canopy provides scale for the vast interion. At the lower left, people raise their hands in supplication.
No, wait—they're taking photos with their cell phones.

Stunning, stunning works of art and sculpture. Any one of the massive sculptures and paintings would have been an enormous attraction by itself. But here, it was just one more fantastic piece of art, set among many more. And… it’s big, the cathedral. So big, in fact, that it has bragging rights: laid into the marble floor are makers showing the relative size of other world-class cathedrals, to make sure we know how huge this one really is.

Inside of the dome, of particular interest since we were up inside. 
It looks so small from down here!


I learned something that blew me away: all these "paintings" were replaced long ago by mosaics to protect against dust and smoke damage.
This was originally a painting : "The Punishment of the Couple Ananias and Sapphira"  by Pomarancio, 1604. 


Detail of the above mosaic, done in 1717. It is in the Altar of the Lie, St. Peter's.

In a side chapel: The Chair of St. Peter, carved in wood in the 1st C.; set into the stunning bronze altarpiece by Bernini (and a bunch of other craftsmen) in the mid-1600s.


These marble statures are massive: compare with the real people bottom center.


And the pièce de résistance, the Pietà, carved by Michelangelo when he was 24.


Walking the streets—We took a swing past the Trevi Fountain, always magnificent. But we didn’t stay; it was jammed with people, making it no fun. We did stroll over to another part of the city, called Trastevere, just across the river… but socially, in another world.

Piazza di Saint'Egidio in the Trastevere district. 
People spend enormous time and money to faux paint walls to look like that!

Basilica di Santa Maria in Trastevere. Incredible mosaics!

Rick Steves likes this area, and discuss it in his books and videos. He’s found it to be more “authentic,” less touristy. Although, lately it’s lost some of its original charm as more tourists find their way there. (Thanks, Rick.) Still a charming area, though. We found a particularly nice church (there’s one every block, in Rome), the Basilica di Santa Maria in Trastevere. Wonderful mosaics inside!



Borghese Gallery—A place we had never visited in Rome was this impressive gallery of painting and sculpture. Sue was very keen on going here.

Façade of the museum Galleria Borghese in Rome, Italy
Photo by Alessio Damato; from Wikipedia. AttributionI, Alejo2083


Reminiscent of that ceiling in the Vatican, no? I wonder why...

The Gallery originally was the private home of Scipione Borghese, whose uncle, Pope Paul V, gave him a cardinalship (and the name Borghese). Thanks to his uncle, Scipione amassed enormous power and wealth and assembled one of the largest art collections in Europe. He was particularly fond of Caravaggio, from whom he bought (and extorted) numerous works. The gallery was built in 1615 to house Scipione and his growing collections.

One of the most striking of the many great sculptures; Bernini's Abduction of Proserpina.
Proserpina was the daughter of Jupiter and Ceres; Pluto took her away to the underworld, causing the earth to dry and crops to fail, symbolizing the changing of the seasons.

Incredible drama in the faces of the abductor, Pluto, and the abductee, Proserpina.
(And this was done when Bernini was just 23!)

Getting to the Gallery was a bit of a challenge because it was far enough from the center to require a bus ride… which meant figuring out how the bus system worked: routes and where to get tickets. We made it, we saw the Gallery and its art (and got home!). After the Vatican museum we were a bit tired of the excesses of the rich and powerful and how they needed to show, over and over, how much above everyone else they were. Still, the incredible art on display made the trip well worth while.

 

Carvaggio's Saint Jerome, busy translating the bible into Latin; about 1605.
The skull, and the deep black background, brings up questions of mortality and death.


Last Supper by Jacopo Bassano.
Superficially similar to the one by DaVinci, but things seem a bit more disorganized here. And there's Jesus, in the middle, perhaps thinking, "Maybe this wasn't such a good idea after all..."


OK, so Scipione may have a lot to answer for, but OMG the Gallery he left has incredible works of art for us to enjoy! He was a patron (and extorter) of both Caravaggio and Bernini, and his collection includes many other masters as well.

It was raining when we arrived, and almost dark when we left. We had a bus to catch to get home, so we did not want to dawdle. But yet, the Gallery is surrounded by an enormous park, which—sadly—we had no time to explore, at all.


Overall, we had a fine visit to Rome. Not enough time, too much to see, awfully crowded, and it rained. Which means, in the words of a former governor of California... We'll be back!



This statue of Byron in the park was arresting! Not sure the hat was part of the original sculpture...



We have arrived at the end of this series of blogs about our one-month trip to Jordan and Italy. The next blog will be something or other about springtime in Montpellier…










No comments:

Post a Comment

Have a comment? We'd love to hear from you.

Note: Only a member of this blog may post a comment.